A different kind of street food though. Not the edible kind.
Someone has placed little 3D pieces of food on some of the sidewalks in the Arts District of LA.



A different kind of street food though. Not the edible kind.
Someone has placed little 3D pieces of food on some of the sidewalks in the Arts District of LA.



The Allentown area of Buffalo is now home to some interesting murals. If you walk around the neighbourhood of Allen Street and College Street, this is what you might see:
below: ‘Voyage’ by Chuck Tingley, 2014. Commissioned by MyBuffaloPride and Loop Magazine and dedicated to Buffalo’s LGBT community and its allies. “In a world of scrutiny, we have the power to embrace our differences and use our inner light to guide us through the darkest of times.”

below: The corner of Allen Street and Wadsworth Street.

below: Nietzsche (German composer and philosopher) with the quote “Without music life would be a mistake”. When I googled to make sure that that was an actual quote, I found a quote from a letter that he wrote in 1888: “Music … frees me from myself, it sobers me up from myself, as though I survey the scene from a great distance … It is very strange. It is as though I had bathed in some natural element. Life without music is simply an error, exhausting, an exile.” The picture is on the side of a Nietzsche Bar.

below: It’s About Time, with three red fists on the upper part of the Allen Street Hardware Cafe. One is holding a yellow paint roller and one is holding a yellow spray paint can. The third fist is in the background and is holding either tools or paint brushes or markers? Painted by the Allen Street Street Art Collective (ASSA).

below: ‘Tribute to Spain Rodriguez’ by Ian DeBeer. Rodriguez was a comic artist who was born in Buffalo and the piece is largely about a fight that he got into in the bar across the street (once the Jamestown, now the Nietzsche).


below: When this mural was first completed, the grey parts were black. The large picture of the man that stands between the windows on the left and those in the middle, was quite distinct. Now, you might have missed him when you first looked at the picture.

below: The pink stripes in the background of the finger-like portions of this mural have also faded considerably since the mural was painted in 2013. “The work we do is not for the faint of heart”.


below: The last ASSA mural features an iron fireman. It’s a long horizontal mural with the words Iron and Fireman written in large letters over shapes that resemble flames.

below: Between the two words is a painting of a black ‘iron fireman’, a robot-like creature shovelling coal to feed the fire. This was the logo for the Iron Fireman, a coal stoker first developed in the 1920’s by Thomas Harry Banfield and Cyrus Jury Parker. A coal stoker mechanically feeds coal into a furnace or boiler – the Iron Fireman was a commercial success in the days when coal was a commonly used fuel.


below: One of the other interesting things about Buffalo is how the architecture is different here, or at least different from what I am used to in Toronto. The building with the green details on the front is the Puritan Building, built in 1893. It has recently been renovated with the Billy Club restaurant on the ground level and three storeys of apartments above. And yes, that is a purple house on the right. Many of the houses in the area are painted in bright and cheerful colours.

below: She’s almost disappeared.

below: But he’s as vibrant as ever.



Little animals, big animals.
Pasted, painted and stenciled graffiti animals.
Real animals and those just imagined.
All on the walls of Paris.
below: A very realistic tiger walks towards you. Painted by mosko.

below: Another mosko creation, a leopard.

below: What cows order when they stop for fast food. Human meat burger with a side of human finger nibblets. I wonder if he’ll order his burger with meadow grass or cheese?

below: A pink fish dreamily swims past.

below: There’s a zebra under the window.

below: A very tall mural of a blue and white long-necked bird. Un héron bleuté, painted by STEW in the Chinatown area of Paris (13th arrd.)

below: A close up view of the bottom of STEW’s heron mural.

below: An elephant head, and mouton white sheep above the cordonnerie

below: A pink and blue teddy with a few bits missing. It seems to be passing something to the window. Amor! A creature stands under the cross.

below: A wide mouthed big teethed snake

below: A pink cat

below: Two birds standing together

below: The next two may not be animals, but they certainly aren’t human either. Two creatures just playing tunes and boarding on by. The first is labelled Les Impressionoures.


below: And last, a little yellow dinosaur.

I am not sure what they’re really called, or even if they actually have names. I saw these glittery confetti women dancing on a number of walls in Paris last spring. They are part of a series called ‘It’s time to dance’ by French street artist SOBR.
Is she still dancing on the walls?




The following pictures were taken in September 2016. This was my second visit to the area and I have already blogged about my first visit in March 2016. See ‘People of Fashion Street’. A few of the works from the spring still remained in September but there were also a number of changes.
below: The musculature of a man as he walks amongst the skulls and bones of other men, a pasteup by drsc0

below: A mural of a woman’s head (she lasted all summer) by Mr. Cenz

below: A wall with graffiti as well as a painting by neoh of a ballerina whose multi-faceted face appears to be in motion.

below: Pirate, Jolly Roger bombs falling from the sky and a partial Poison pasteup.
If consumed, plan funeral.

below: Bill Murray keeps an eye on that marshmallow guy while Freddie Mercury sings along with the help of a collage of people and images.

below: Freddie Mercury again, this time with a starry eyed tiger.

below: Another street art collection on Fashion Street. The top pieces are the same as seen in March but there have been changes on the bottom.

below: The top part of the wall above. Still here – Stikki peaches James Dean paste up man, Rebel with a cause. A purple beaver, pistachio shell art, and a drawing by costah complete the picture.

below: Additions to the lower part of the wall. Face the Strange and Endless coca cola cans with visual innuendo. Also, someone is trying to tell us that they are well and they are happy although they look quite blue and empty.

below: Face the Strange lego headed man and a partial City Kitty face

below: Syd’s ‘why so serious?’ Joker was there before as was the image of Liza Minnelli in the red and white top. Unfortunately the paper has been torn from wrdsmith’s typewriter so the words can’t be read anymore.

below: An endless woman, a dog and a man with a green tie.

below: Under the watchful eye of a surveillance camera, a taosuz poster warning you about the harmful effects of icons. Can you name the people?
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below: You see things and say why?…. but I dream things and say why not? The sunset mural is by Low Tech Designs, a group of artists who work with youth to teach them graffiti skills and to promote the positive side of graffiti.

below: No Banksy no cry

below: A mural painted in the memory of Muhammad Ali who died June 4, 2016.

below: The many abstract faces of Costprice.

below: Two between the doors.

below: Gava? Oui, gava.

below: A soldier on horseback, and a targeted mother and kids.

below: Black and white drawing of folded paper – a sculptural forms of a rabbit nipping at the tail of a fox. It’s the work of Annatomix.

below: A child in motion.

below: The last two photos were actually taken on Commercial Street but close to where Fashion Street joins it.

below: Gold Dragonfish = endangered, and E D of London. Both closed.


Most of Braithwaite Street is under railway tracks next to Shoreditch High Street station on the London Overground. The south end of the street used to be called Wheler Street and appears as such on google maps. Photos taken September 2016.

below: Mssd Connctn, To the one who could have been everything, sorry I swiped left.

below: More of the detailed grasshopper pasteups (previously seen on Grimsby Street) and an old paper pasteup of a Chanel No. 5 perfume bottle…. this one full of skulls. The perfume bottle is the work of endless.

below: Above the grasshoppers is a headless flying horse or pony. The star on its backside suggests that it’s from My Little Pony.

below: Portrait of a street artist with spray can, respirator, tattoos, and bling, by Cloakwork.

below: Graffiti under the bridge.

below: A jumble of facial features.

below: A collection of little graffiti pieces high on a brick wall.

below: Another chanel perfume bottle by endless, this time Marymee and eau de streetart. The cat playing card has some tiny words written on the bottom including, @hellothemushroom. A google search reveals this to be the work of Sara Doucette.



below: A painting by Nathan Bowen.

below: A few pasteups including one that resembles Lt. Vincent although it’s a little bearded guy in a snail shell being pulled by a large red cat.

below: Pink, fuzzy and spread eagle on a wall – a large teddy bear.

below: Rapid. Mask and goggles. Street art by Someart

below: Shoot the Bank with photos added above and “Not Art” sprayed below.

below: ‘Stranger Things’ from the Netflix series.

below: Construction hoardings on Braithwaite immediately south of the tracks around what used to be a car park.

below: Continuation of the hoardings… the red brick building is Bedford House, at the corner of Quaker and Braithwaite streets.

below: Another Nathan Bowen work, this time beside a strange drawing by Clancy.

As you can see, Bacon Street is E1 London. It’s another street that runs east from Brick Lane, this time just north of the overground tracks.

below: Two owls, mirror images of each other; “You know the day divides the night and night divides the day. Try 2 run, Try 2 hide, Break on through to the other side”

below: A portrait, a tribute to Charlie Burns 1915-2012. Charlie, The King of Bacon Street, was the oldest man on the street. He used to sit in the backseat of his daughter’s car and watch the world go past on nearby Brick Lane. The car was parked in front the family business, C.E. Burns & Sons, a second hand furniture store.

below: A pig on Bacon Street! How apt. It seems to have an admirer too!

below: A collection of paste ups on a wall including a life sized young woman with long flowing orange hair by Saki & B where B is for bitches. This piece is tamer than some of their other art as seen on instagram. The greenish woman’s portrait is by georgie, another London based artist.

below: A cat on the phone by d7606.

below: In the bottom corner, a small ‘Rebel’ Phoebe New York

below: Did you know that a serving size is 2010 skulls? A poster left behind by Arrex when he visited London from Portland Oregon.

below: I am not sure who painted the long necked white birds, but the portraits on the door are by Paul (Don) Smith and they were featured in a previous blog post.


Photos taken September 2016
The Bernard Shaw, in a building built in 1895, is a pub on Richmond Street South in Dublin. I had heard that there was some street art in the vicinity, so a detour was made to that part of Dublin. The building looks like it needs a coat of paint!

below: A brightly coloured bird flies on one side of the pub

below: A peacock continues the bird theme on the other side of the Bernard Shaw.
Perhaps that’s him on the wall above?

below: Don’t forget to look up too.

below: “Our bodies, our lives, our choice” mural. Part of the “Repeal the 8th” campaign, an abortion rights campaign to call for a referendum to repeal the 8th Amendment to the Constitution of the Republic of Ireland. The 8th amendment criminalizes abortion in all cases except where to continue a pregnancy would result in death of the mother.


In the same area there was a car park… or construction site… or just a series of walls covered with street art and graffiti. Not much of it was noteworthy but here are a few pictures just the same.

below: This one accompanies a happy birthday and I love you message written for Angela, presumably written by Caolan.









On John Street there is a large maroon coloured building. A couple of murals have been painted on it.
At one end of the street is this mural by Marcamix, Evolve Urban Arts.

Beside it, is this longer mural. Unfortunately I’m not who the artist is (or artists are).




#marcamix
Free Derry was a zone in the Bogside and Creggan neighbourhoods in the city of Derry (or Londonderry) that existed from 1969 to 1972 when people barricaded streets to keep the British Army out. To understand the reasons for Free Derry involves understanding the history of Northern Ireland, especially the story of ‘The Troubles’. The Troubles, or the Northern Ireland Conflict as it was also known, started in the late 1960’s and largely centered around the constitutional status of Northern Ireland. Although it may be an oversimplification, Unionists (also called Loyalists) who were mostly Protestant and thought themselves to be British wanted Northern Ireland to remain in the UK while Irish nationalists (or Republicans) who were mostly Catholic and considered themselves Irish wanted to leave the UK and join a united Ireland.
Three artists, Tom Kelly, William Kelly and Kevin Hasson, aka The Bogside Artists, have created a series of murals known as the Peoples Gallery in the Bogside area of Derry. There are 12 murals and most are on the sides of houses along Rossville Street. They tell the story of events that occurred here during The Troubles.

below: “The Civil Rights Mural, The Beginning”. The title refers to the beginning of the struggle for democratic rights in Derry by both Protestants and Catholics. On the 5th of October 1968, a civil rights march ended in bloodshed in Duke Street when the RUC (Royal Ulster Constabulary) beat up protesters – televised for the world to see. Protesters responded with petrol bombs and bonfires. The march was organized with the support of the Northern Ireland Civil Rights Association (NICRA), a group that had been formed in February 1967 to fight to end discrimination against the Catholic/Nationalist minority.

below: “The Petrol Bomber”. This was the first mural, painted in 1994. A boy wears a gas mask to protect himself from RUC tear gas. He is holding a petrol (gasoline) bomb. It represents the ‘Battle of the Bogside’, August 1969.

The problems in 1968 and then the riots in 1969 marked the beginning of the Troubles. At this time, the city of Derry became (or was?) more segregated with neighbourhoods almost entirely nationalist or unionist. In some places, residents and paramilitaries built barricades to seal off and protect their neighbourhoods from incursions by “the other side”, the security forces or both. These became known as “no go areas”. By the end of 1971, 29 barricades blocked access to Free Derry, 16 of them impassable even to British Army tanks.
below: Commemorating ‘Operation Motorman’. Also titled, “Summer Invasion”. On 31 July 1972 the British Army with the help of the RUC broke down the barriers that had been built in Derry, Belfast, and other Northern Ireland cities.

below: In the foreground, “The Runner”, a cautionary tale; civil conflict can be deadly. The boy in blue, running from tear gas, is Patrick Walsh. Below him are portraits of two other boys who died in the Troubles, Manus Deery and Charles Love. Deery was 15 when he died in 1972, hit by fragments of a ricochet bullet fired by a British Army sniper. Love was 16 when he died in 1990, hit by flying debris from an IRA (Irish Republican Army) bomb. The deaths of two boys, unintended victims of both sides in the conflict.

below: “The Death of Innocence”. A 14-year-old schoolgirl, Annette McGavigan, was killed in crossfire between the IRA and the British Army on 6 September 1971. She was the 100th victim of the Troubles. The mural was painted in 2000 but was being cleaned up and behind scaffolding when I saw it. According to the plaque beside it, “she stands against the brooding chaos of a bombed-out building, the roof beams forming a crucifix in the top right-hand corner. At the left, a downward-pointing rifle, broken in the middle, stands for the failure of violence, while the butterfly symbolizes resurrection and the hope embodied in the peace process.”

On 30 January 1972 there was a march to protest the mass arrest of 342 people suspected of being members of the IRA a few months previous, and their subsequent imprisonment without trial. The marchers were unarmed. The British Army opened fire on the people, killing 14 and wounding many others. Many of the victims were shot while fleeing from the soldiers and some were shot while trying to help the wounded. Two people were run down by Army vehicles.
below: Father Daly, a priest, holds a white flag as he helps a group of men carry the body of Jackie Duddy. Duddy was the first fatality on Bloody Sunday. This mural was painted in 1997 to commemorate the 25th anniversary of Bloody Sunday.



below: In the background is the Peace Mural, a white dove on a multicoloured background.

There are a number of other murals in the area.
below: Che Guevara did have a small bit of Irish ancestry. One Patrick Lynch left Galway in the mid 1700’s. After a short stay in Spain he ended up in Argentina where he married an Argentinian woman. A number of generations later, Che Guevara, eldest son of Ernesto Guevara Lynch and Celia de la Serna y Llosa, was born in Rosario Argentina in 1928. He was the 5 x great grandson of Patrick. The quote in the mural, “In my son’s veins flowed the blood of Irish Rebels” are apparently Che’s father’s words.

below: South Africa and Ireland, side by side. A portrait of Nelson Mandela. “Many suffer so that some day future generations will live in justice and peace”, a quote from Bobby Sands (also pictured in the mural). Sands was a member of the Provisional IRA and a leader of the 1981 hunger strike in Maze Prison. He was elected as a Member of Parliament but during the strike, but he died along with nine others.

below: “The way we were” and “free Gaza”.



More information on the Bogside Artists and the murals that I missed.