Jewish Women of Kaunas

Before the second World War, about one quarter of the population of Kaunas LIthuania was Jewish – about 30,000 people. Known in Yiddish as Kovno, it was a city As part of the City Telling Festival (Istoriju Festivalis) in 2020 a couple of large murals were painted in memory of a few of these people. This festival was one of the events leading up to 2022 where Kaunas was one of the “European Capitals of Culture”

below: Leja (or Leah) Goldberg, b. 1911, poet. It was painted by Lithuanian artist Linas Kaziulionis and it measures 15 by 10 meters. The text is one of her poems “Oren” (Pine) written in Hebrew and Lithuanian.

large mural on the side of a building, painted by Linas Kaziulionis, portrait of a woman, Leja Goldberg, a poet born in Lithuania.  Text of one of her poems is included in the mural, written in Hebrew on one side and in Lithuanian on the other

Goldberg was the daughter of Abraham and Cilia Goldberg. Her father was an economist at an insurance company before WW1. During the Great War (i.e. WW1), most of the Jews were “evacuated” from Lithuania and sent to the interior of Russia. Lea was three years old when the family was forcibly deported from Kaunas. When they returned after the war and the defeat of Germany, Lea’s father was tortured by Lithuanian soldiers who accused him of being a Communist. He died before Lea emigrated to Palestine in 1935; her mother followed her the next year.

One translation of the poem:

PINE

Here I will not hear the voice of the cuckoo.
Here the tree will not wear a cape of snow.
But it is here in the shade of these pines
my whole childhood reawakens.

The chime of the needles: Once upon a time –
I called the snow-space homeland,
and the green ice at the river’s edge –
was the poem’s grammar in a foreign place.

Perhaps only migrating birds know –
suspended between earth and sky –
the heartache of two homelands.

With you I was transplanted twice,
with you, pine trees, I grew –
roots in two disparate landscapes.

large mural on the side of a building, painted by Linas Kaziulionis, portrait of a woman, Leja Goldberg, a poet born in Lithuania.  Text of one of her poems is included in the mural, written in Hebrew on one side and in Lithuanian on the other

below: Another mural with a poem that was also part of the same festival. It was painted by Tadas Vincaitis-Plūgas. The is mural dedicated to another Jewish family that lived in Kaunas before WW2.

large mural of a mother and daughter, Rosian Bagriansky and her mother, painted by Tadas Vincaitis, on the side of a building in Kaunas Lithuania

The words are those of Hirsh Ošerovičius (1908-1994) written in 1964. The text is in Lithuanian but one English translation is:

Ah, do you really believe,
Oblivion has the final say in what is to be forgotten?
For it is often only an image from the ashes rising
And stand in flesh, in full reality
Forever framed for every day to come.

large mural of a mother and daughter, Rosian Bagriansky and her mother, painted by Tadas Vincaitis, on the side of a building in Kaunas Lithuania

The mural depicts a mother, Greta, and her daughter Rosian Bagriansky. Rosian was born in 1935 in Kaunas. Her father, Paul (or Polis) Bagriansky, was a textile merchant and her mother was a concert pianist and music teacher. Rosian survived the Holocaust after her parents dug a hole next to the fence of Kaunas Ghetto and pushed Rosian through it and into the hands of one of their former employees, Bronė Budreikaitė. Rosian became Irena Budreikaitė

Kiemo Galerija – Yard Gallery

Back in 2014, Vytenis Jakas decided to turn a residential courtyard into an art gallery.

below: Charlie Chaplin oversees the entrance to the yard.  The black plaque above Chaplin’s head is in memory of Juda Zupavicius (1914-1944) who was a lieutenant in the Lithuanian military and a chief on the Kaunas ghetto police force. In 1941 the Jewish residents of this area were forced out and had to relocate to the Kaunas ghetto. Zupavicius was also one of the leaders of the underground resistance during WW2.

street art on a concrete wall, three older women sitting on a bright red bench.  Women are wearing grey winter coats, head scarves, and sun glasses.  the woman in the middle is knitting

below: The words under the photo of the couple: „Čia 1939 m. – 1941 m. gyveno Dita ir Juda Zupavičiai. Juda buvo vienas iš Kauno geto pogrindžio vadovų, žiauriai nacistų kankintas neišdavė geto vaikų slėptuvių. Dita buvo kovos bendražygė“ (English translation: “Here in 1939 – 1941 lived Dita and Juda Zupavičiai. Juda was one of the underground leaders of the Kaunas ghetto, he was brutally tortured by the Nazis and did not reveal the hiding places of the ghetto children. Dita was a comrade in the struggle”)

street art, three black and white photos of people who used to live in the courtyard.  A large artwork of Marcel Marceau in white clown mime clothes, a red tear painted on his face, standing beside a vintage box camera on a tripod
bright yellow shutters on a window, pot of geraniums, red geraniums, beside, an empty flower box below, a painting of a fat brown cat half out the window and half inside

below: Venus probably never had to do the grocery shopping

street art stencil or pasteup of the statue of venus, woth arms broken off.  behind her is a woman in modern clothes carrying bags of shopping

on exterior wall, black and white photo of man, below part of a larger colour photo

a picture of the plaque describing the yard gallery that is seen in the gallery itself, Kiemo Gallery

Yard Gallery

Upon noticing that the neighbours living in the yard had become alienated and had forgotten the common past of the yard, the artist Vytenis Jakas started creating a “Yard Gallery” – a courtyard surrounded by apartment buildings built in the inter-war period. In the past, the yard inhabitants knew each other well, communicated warmly, celebrated holidays together, and supported each other in troublesome times. The yard had a large table, a fountain and a sculpture, the Dapkevicius sisters grew flowers, and lilacs grew near the windows of the neighbour Regina. Over time, the population and the social environment changes, the number of cars increased, and the yard space became too small.

Seeing this situation, Vytenis Jakas, with the help of other artists and neighbours, turned the derelict yard into a centre of attraction, the open air “Yard Gallery”. Various artistic projects are implemented here: Portraits of the Jews who lived in this house before the Holocaust, along with the current residents, characters of various works are painted on the facades of the apartment buildings; mirror mosaics and stained glass windows are created, and community events are organised, with community festivals celebrated together. “

mosaic on a wall, outdoors, made of broken pieces of mirror.  reflective
painting of a stork, street art