The largest throw-up on this wall in Cuenca Ecuador was easily read as ‘brotha’. The other (or otha) throw-ups are not as legible although one might be ‘llama’. The murals are where calle Jose Alvear meets Av Fray Vincente Solano
‘Eros & Psyche’ is a large mural painted by Greek artist insane51 as part of Montreal’s 2019 Mural Festival. It is designed to be viewed with 3D glasses. Painted in blues is the ‘exterior’ of a woman while the skeleton and brain are shown in reds.
In Greek mythology Psyche was the goddess of the soul and the wife of Eros, the god of love. Eros, also known as Cupid (in Latin, or Roman mythology), was the son of Aphrodite and he was always throwing arrows to people in order to hit their heart and make them fall in love. Psyche was the youngest daughter of a king; she was more beautiful than any goddess. The story of Eros and Psyche is long and a bit convoluted. It involves prophesies, happiness followed by betrayal and heart ache but of course it has a fairy tale ending, Psyche becomes immortal, and the couple live happily ever after.
In central Amman is a mural of a face that is divided vertically down the middle, half male and half female. It was painted by Akut (half of Herakut) in 2016.
This mural was made with the support of USAid and aptART. The latter is an acronym for Awareness and Prevention through Art. In this case, they are highlighting the question of gender equality. They sponsored four other murals in Amman but unfortunately I don’t have any photos of them (nor did I see them when I was there).
Across the street from the train station in Marrakech is this large mural of Aziz the mason, a Berber man in a wool hat. It was painted by German artist Hendrik Beikirch in 2015. Beikirch first worked with spray paint 30 years ago.
In 2014 Beirkirch spent some time as an artist in resident at Jardin Rouge, a program sponsored by the Montresso Art Foundation in Marrakech. The work that he did here became the Tracing Morocco project. For this project, Beikirch painted 22 portraits of Moroccans he had met; it is meant as a tribute to those whose traditional ways are disappearing. Not only were portraits printed in a book of the same name, but also they were painted as large murals in different places around the world including the Netherlands and New York City.