Words matter! Are you graffiti? Of course not, I am more than that! I am a mural.
But what is the difference? Sometimes the difference is obvious but sometimes the line dividing graffiti from its bigger (and more important? more respected?) sibling is blurry.
It’s a question asked by an artist who left his/her mark on a concrete pillar in Girona.
There are now two large murals by the bus staton Ronda and both were painted by Okudart (aka Okuda San Miguel). They are titled, “The New Flamenco” and featured brightly coloured dancers with flowing dresses, fans, and flowers in their hair.
‘Out and About – Windows of Time’ is a large mural by Christiano De Araujo that features scenes from the social history of Weston village. Unfortunately, the (painted) young man who is sitting on the sidewalk and playing a guitar is hidden by the (real) car parked in front of the mural.
There is a railway bridge that crosses Lansdowne Ave just south of Dundas West. Along the concrete wall on the east side of the underpass is a long stretch of murals painted last year by a group of muralists and street artists. This is “Community Built”.
below: At the south end of paintings…. Ducks and loons in the water; ducks in flight by Nick Sweetman. Most people will recognize the green-headed mallard; the duck with the big black and white head is a male hooded merganser. A female merganser has a similar crest on her head except that it is brown.
Next to the ducks there are people fishing and wading in a creek. This portion was painted by Elicser Elliott.
below: Under the tracks, abstract flowers in yellows and oranges by Chris Perez
below: Black hands and white hands reaching out, by Rowell Soller
below: Kedre Brown (left) and Artchild (right)
below: Scenes on light green by Andrea Manica – a dog, a bee, and a couple of strawberries – walking in heels with coat and hat – sitting on a yellow blanket – a tent, mushrooms, and playing ball.
below: As the years go by we’ll be able to date the artworks of 2020 to 2022 by the presence of masks. That’s assuming that we won’t be wearing them again…..
below: Under a rainbow where nature thrives in a collaboration between Shawn Howe and Mo Thunder.
below: Part of the RUN Collective, is Ren Lonechild who painted the apes at the bottom of the stairs. Swooping and swirling around the apes and the stairs are ghostly creatures that are the work of Cedar Eve Peters
below: The view from the top of the stairs from Shirley Avenue
below: A mural with a message that the willow tree is nature’s aspirin. Willow bark contains salicin which is chemically similar to aspirin which also known as acetylsalicylic acid. The salicin chemical structure is shown in this mural by Keitha Keeshing-Tobias.
below: This project incorporated a previous public art installation on this site. Back in 1989 a number of small sculptures, or forms, by Dyan Marie were embedded into the wall of the underpass.
below: This is Leone McComas’s contribution to the ‘Community Built’ project
below:Alex Bacon painted dancers in hazy flowing shades of pink and orange.
below: Two murals.
below: Close up of the cyclist painted by Curtia Wright
below: On the right – a blue woman reclines by a cluster of colourful houses. She’s got one hand on a pink lawn and her feet on a red lawn under a white-leafed tree. This mural was painted by Yasaman Mehrsa.
below: Close up view of the big regal cat by Planta Muisca as it sits on a blue mat by a bowl of papaya and a slice of lemon.
below: Welcome to Little Tibet … standing beside a white chicken by Caitlin Taguibao
below: People from the Little Tibet mural, by Kalsang Wangyal,
below: A mural by Tenzin Tsering on the right – a bonfire where “the flames of the bonfire represent the tradition of oral storytelling and act as a homage to the diverse and unique stories/voices of the people in Tkaronto.” (from her instagram page)
below: And what’s a Toronto mural if it doesn’t have a raccoon?
In the mural two pictures above, the painting on the left is the work of Jordan McKie (aka trip2thetop) The next few images are from that mural.
below: A dragon’s head at the north end of the underpass by June Kim.
below: Looking south
A Mural Routes project from 2021
June, Jordan McKie, Tenzin Tsering, Kalsang Wangyal (waz_graphics), Caitlin Taguibao, Planta Muisca, Yasaman Mehrsa, kaya joan, Curtia Wright, Alex Bacon, Leone McComas, Keitha Keeshig-Tobias Biizindam, Red Urban Nation Artists Collective (Drew Rickard, Danielle Hyde, Cedar Eve Peters, Ren Lonechild and Que Rock), Mo Thunder and Shawn Howe, Andrea Manica, Kedre Brown, ARTCHILD, Rowell Soller, Chris Perez, Elicser Elliott, Nick Sweetman.
Curator and community engagement facilitator: Bareket Kezwer
Along a wall beside the playground at 103 and 105 West Lodge is a mural painted by Elicser Elliot and Nick Sweetman a couple of years ago. It’s theme is the outdoors and it includes scenes like kids playing baseball, people reading and sitting outside enjoying themselves, as well as people planting gardens and admiring the flowers. There are also lots of animals – a large dragonfly shows off its wings, bees fly by, squirrels hoard nuts, a robin pulls a pink worm out of the ground, and a very large hedgehog sniffs the flowers.
below: Hedgehog covered with thousands of protective spikes.
below: Playing baseball and keeping an eye on the bees
below: An encounter with a skunk
below: Playing with friends. Great dunk shot!
below: This robin has found very large worm
below: A blue dragonfly with translucent wings
below: A black squirrel and a grey squirrel and thousands of nuts!
The people in the mural scenes were painted by Elicser Elliott while Nick Sweetman painted the animals.
The newest mural visible as you walk the High Line Park is “The Baayfalls” by Jordan Casteel.
“I am not interested in competing with anyone. I hope we all make it.” The mural is a portrait of Fallou, a woman who sells hats in Harlem and her brother Baay Demba Sow who was visiting from Senegal. He is member of Baye Fall movement, a West African Sufi order that is part of the Mouride brotherhood.
This happy playful mural can be seen on Rue Godefroy in the 13th arr. It is one of many in Paris painted by Zabou, a French artist now living in England.
They went to sea in a Sieve, they did, In a Sieve they went to sea: In spite of all their friends could say, On a winter’s morn, on a stormy day, In a Sieve they went to sea!
below: The artist, Jola Kudela, aka Yola, at work on “They Went to Sea” on Cleveland Street in Doncaster. The mural was part of Doncaster’s ArtBomb22 an experimental arts festival.
“The poem speaks about a group of Jumblies who went on a journey to discover the world in the least suitable vessel, a sieve. It’s a story of a group of people who abandon the old status quo in search of something new. It can be interpreted as a metaphor for the migration movements around the world in pursuit of a better life.” — YOLA
below: The finished mural. It was painted with the help of the Yorkshire-based creative production team Art of Protest Projects, led by Jeff Clark and Tom Jackson.
Accompanying the mural is a video, a short film with the same title, “They Went to Sea” (link) that is available online. In addition, a QR code on the mural triggers the video which features the dance company Fertile Ground in a performance choreographed by Malgosia Dzierzon.
below: A still from the video. Dancers move in a symbolic sea to music composed by Julia Kent as Edward Lear’s poem is recited. The words become part of the music which in turn echos the waves and the movement of the water.
Financial support was provided by the Polish Cultural Institute.
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The pictures used in this blog post were taken by Jeff Clark and were sent to me by the mural artist, Jola Kudela.
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Edward Lear’s “The Jumblies”
They went to sea in a Sieve, they did, In a Sieve they went to sea: In spite of all their friends could say, On a winter’s morn, on a stormy day, In a Sieve they went to sea! And when the Sieve turned round and round, And every one cried, ‘You’ll all be drowned!’ They called aloud, ‘Our Sieve ain’t big, But we don’t care a button! we don’t care a fig! In a Sieve we’ll go to sea!’ Far and few, far and few, Are the lands where the Jumblies live; Their heads are green, and their hands are blue, And they went to sea in a Sieve.
They sailed away in a Sieve, they did, In a Sieve they sailed so fast, With only a beautiful pea-green veil Tied with a riband by way of a sail, To a small tobacco-pipe mast; And every one said, who saw them go, ‘O won’t they be soon upset, you know! For the sky is dark, and the voyage is long, And happen what may, it’s extremely wrong In a Sieve to sail so fast!’ Far and few, far and few, Are the lands where the Jumblies live; Their heads are green, and their hands are blue, And they went to sea in a Sieve.
The water it soon came in, it did, The water it soon came in; So to keep them dry, they wrapped their feet In a pinky paper all folded neat, And they fastened it down with a pin. And they passed the night in a crockery-jar, And each of them said, ‘How wise we are! Though the sky be dark, and the voyage be long, Yet we never can think we were rash or wrong, While round in our Sieve we spin!’ Far and few, far and few, Are the lands where the Jumblies live; Their heads are green, and their hands are blue, And they went to sea in a Sieve.
And all night long they sailed away; And when the sun went down, They whistled and warbled a moony song To the echoing sound of a coppery gong, In the shade of the mountains brown. ‘O Timballo! How happy we are, When we live in a sieve and a crockery-jar, And all night long in the moonlight pale, We sail away with a pea-green sail, In the shade of the mountains brown!’ Far and few, far and few, Are the lands where the Jumblies live; Their heads are green, and their hands are blue, And they went to sea in a Sieve.
They sailed to the Western Sea, they did, To a land all covered with trees, And they bought an Owl, and a useful Cart, And a pound of Rice, and a Cranberry Tart, And a hive of silvery Bees. And they bought a Pig, and some green Jack-daws, And a lovely Monkey with lollipop paws, And forty bottles of Ring-Bo-Ree, And no end of Stilton Cheese. Far and few, far and few, Are the lands where the Jumblies live; Their heads are green, and their hands are blue, And they went to sea in a Sieve.
And in twenty years they all came back, In twenty years or more, And every one said, ‘How tall they’ve grown!’ For they’ve been to the Lakes, and the Torrible Zone, And the hills of the Chankly Bore; And they drank their health, and gave them a feast Of dumplings made of beautiful yeast; And everyone said, ‘If we only live, We too will go to sea in a Sieve, To the hills of the Chankly Bore!’ Far and few, far and few, Are the lands where the Jumblies live; Their heads are green, and their hands are blue, And they went to sea in a Sieve.
There are two large colourful murals on 10th Avenue that were painted by Eduardo Kobra. Both are visible from the High Line, Manhattan’s elevated park.
below: Mother Teresa and Gandhi as seen from the High Line
and then closer up, face to face, respectful, hopeful
below: A hint of a second mural – Andy Warhol can be spotted between two buildings.
below: Above the Empire Diner in West Chelsea is this mural inspired by the carvings on Mount Rushmore, a re-imagining of it if you will. Instead of four American presidents there are four famous artists – Andy Warhol, Frida Kahlo, Keith Haring, and Jean-Michel Basquiat.