Along a wall beside the playground at 103 and 105 West Lodge is a mural painted by Elicser Elliot and Nick Sweetman a couple of years ago. It’s theme is the outdoors and it includes scenes like kids playing baseball, people reading and sitting outside enjoying themselves, as well as people planting gardens and admiring the flowers. There are also lots of animals – a large dragonfly shows off its wings, bees fly by, squirrels hoard nuts, a robin pulls a pink worm out of the ground, and a very large hedgehog sniffs the flowers.
below: Hedgehog covered with thousands of protective spikes.
below: Playing baseball and keeping an eye on the bees
below: An encounter with a skunk
below: Playing with friends. Great dunk shot!
below: This robin has found very large worm
below: A blue dragonfly with translucent wings
below: A black squirrel and a grey squirrel and thousands of nuts!
The people in the mural scenes were painted by Elicser Elliott while Nick Sweetman painted the animals.
The newest mural visible as you walk the High Line Park is “The Baayfalls” by Jordan Casteel.
“I am not interested in competing with anyone. I hope we all make it.” The mural is a portrait of Fallou, a woman who sells hats in Harlem and her brother Baay Demba Sow who was visiting from Senegal. He is member of Baye Fall movement, a West African Sufi order that is part of the Mouride brotherhood.
Greetings from Coney Island! A postcard type mural by Megan Watters.
Here street art has been incorporated into the amusement park. Each year since 2015 , Coney Art Walls has added to their collection of murals and now has more than 60. Go when the park is open!
below: More of the Art Walls. The largest one in the photo is by Nina Chanel Abney. The one closest to the camera is ‘Handsome Brother and the Mermaid’ by Aiko which is based on an old Japanese tale called “Taro Urashima and Dragon Palace”.
below: Behind a chainlink fence, another Coney Island mural.
below: And yet another Coney Island mural, this one with old black and white photographs of New York City views inside the letters. The Statue of Liberty makes a great exclamation mark.
below: Although it is disappearing behind the ivy, this is yet another Coney Island mural.
below: Clown face and more faces. Live and let live – street artists against hate in the bottom right. And that blue guy? Have you seen how many teeth he has?!
below: Smell the flowers before they die and by the looks of it you don’t have long….
below: A jumble of strings and wires and a few found objects all wound up and made into a slightly human-like shape. Man is a mess?
below: The 5th, and last one here, Coney Island mural is the newest and the biggest. This is “Coney Is For Everyone” on Stilwell Avenue, painted by Danielle Mastrion. It was an Alliance for Coney Island project.
below: A blue Subway Doodle monster sleeps in front of Nathans on the boardwalk.
below: Another result of the Alliance for Coney Island efforts is this multicolour mural on the shutters that was painted by Ledania.
below: Lock him up! Donald Trump behind bars. Doesn’t he look cute in black and white stripes?
Stencils, stickers, and small paste ups around Vienna
below: You don’t have to look like this
below:K2m Cactus is feeling blue – I can Imagine is ici (or is it Incredible Crew of Invaders?) – and someone’s wearing a gas mask.
below: Skateboarder, diva, and 2 lit lighters. Let’s scream.
below: Fishman doesn’t seem to like his metamorphosis. I have questions – how does he breathe? How does his hair stay in place?
below: Screaming in anger and frustration “Nothing I do matters while Capitalism exists. “
below: Comment on the Patriarchy
below: With a touch of green
below: Mouse with an umbrella or at least I think that it’s a mouse. Such a ballsy behind.
below: Eyes – blue eyes on red and one eye almost hidden behind a mask and torn paper.
below: Stickers on blue
below: More stickers and paint on sign
below: Oh my! A sorry yellow ghost – he doesn’t look very sorry does he?
below: Frauhans
below: Little green happy faces plus translation surprises: Weihnacht hatte angst aber Ostern hat eier!! = Christmas has fear but Easter has eggs. Why do people choose the words they write?
below: While a blue Rick Astley claims that he’s never gonna give you up others are waiting for something to happen even though something is waiting behind you.
below: Forked tongue, sluglike hugs on a pole. We all need a little TLC.
below: Big theater, little applause. The curtain drew back and revealed that the world is on the stage. All the world’s a stage…..
“Almonds and Wine” was a short (5 minute) animated film by Arnie Lipsey. It is the retelling of a Yiddish folk song about a wedding of a couple from Eastern Europe. In the film the newlyweds emigrate to Canada and become part of Toronto’s Jewish community. In turn, their children grow up, marry, and have their own children.
Using scenes from the film, a mosaic mural was created that now lines a section of sidewalk on Bathurst Street. It was designed to look like a strip of film with black lines between the frames as well as the sprockets along the edges.
Mosaic Artist: Cristina Delago. The mural was completed in 2010.
below: Near rue Liban, Bar Populaire with a wall of graffiti.
below: In a circle of knives and with a Medusa head of snakes,
below: Another Laszlo piece – Stern looking portrait of Wednesday Addams from the “Addams Family” TV series.
below: A column of paper pieces
below: The top two, both on pages of old books. Top – a heart with “Aimez-sous Bordel” with a multicoloured figure by Corine Forest. On the bottom, drawings by Sulfid
below: More Corine Forest – this time a bird on a page of of music along with a little monster character by Axo. Mam’zelle Nitouche is the music that was chosen (or happened upon?). This is a vaudeville-opérette in three acts composed by in 1883 Hervé (aka Louis-Auguste Florimond Ronger (1825-1892)).
On the bottom – a dove in a heart shape full of white cursive love. “Go Love Anybody Anywhere Anytime”. A little saccharine but sort of sweet.
Learn from yesterday, Live for Today, Hope for Tomorrow.
below: One more Corine Forest wheatpaste – a winged horse among the moon and stars.
below: Paix
La suele couleur qui compte c’est celle denotre de notre sang (The only colour that matters is the colour of our blood).
There is a spot at 169 bd Vincent Auriol where you can see four large murals at once. Boulevard Vincent Auriol, presqu’au croisement avec la rue du Château-des-Rentiers.
On the far left is a mural by Wen2 and Pakone called “Les Perdrix ” . I’m not sure what “Partridges” have to do with it, but below is a clearer view.
Sitting on the dock. Watching the world? What thoughts could be going through her head? From this angle, the calligraphy on the black and grey mural is also in focus. It is a poem, ‘The Time of Your Life’ by William Saroyan, written in the artist’s own very stylized English script and it covers the entire side of the building. The artist is Cryptik, a Korean-American. I’m sorry that I don’t have a more complete picture of the mural.
The dominant mural in the top picture, the mural with the brightly colored sun is ‘Sun-Daze’ painted in painted April 2019 by Hownosm. How and Nosm (Raoul and Davide Perré) are identical twin brothers. The lower part of the mural is best seen from street level.
At the very top there is an image of man who has turned his head towards the setting sun.
And last, there is the pensive looking Asian woman (Japanese?) who was painted by British artist Hush (with some more of Cryptik’s calligraphy).
”In the time of your life, live – so that in that good time there shall be no ugliness or death for yourself or for any life your life touches. Seek goodness everywhere, and when it is found, bring it out of it’s hiding place and let it be free and unashamed” …. opening lines from “The Time of Your Life”, William Saroyan,
This happy playful mural can be seen on Rue Godefroy in the 13th arr. It is one of many in Paris painted by Zabou, a French artist now living in England.
They went to sea in a Sieve, they did, In a Sieve they went to sea: In spite of all their friends could say, On a winter’s morn, on a stormy day, In a Sieve they went to sea!
below: The artist, Jola Kudela, aka Yola, at work on “They Went to Sea” on Cleveland Street in Doncaster. The mural was part of Doncaster’s ArtBomb22 an experimental arts festival.
“The poem speaks about a group of Jumblies who went on a journey to discover the world in the least suitable vessel, a sieve. It’s a story of a group of people who abandon the old status quo in search of something new. It can be interpreted as a metaphor for the migration movements around the world in pursuit of a better life.” — YOLA
below: The finished mural. It was painted with the help of the Yorkshire-based creative production team Art of Protest Projects, led by Jeff Clark and Tom Jackson.
Accompanying the mural is a video, a short film with the same title, “They Went to Sea” (link) that is available online. In addition, a QR code on the mural triggers the video which features the dance company Fertile Ground in a performance choreographed by Malgosia Dzierzon.
below: A still from the video. Dancers move in a symbolic sea to music composed by Julia Kent as Edward Lear’s poem is recited. The words become part of the music which in turn echos the waves and the movement of the water.
Financial support was provided by the Polish Cultural Institute.
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The pictures used in this blog post were taken by Jeff Clark and were sent to me by the mural artist, Jola Kudela.
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Edward Lear’s “The Jumblies”
They went to sea in a Sieve, they did, In a Sieve they went to sea: In spite of all their friends could say, On a winter’s morn, on a stormy day, In a Sieve they went to sea! And when the Sieve turned round and round, And every one cried, ‘You’ll all be drowned!’ They called aloud, ‘Our Sieve ain’t big, But we don’t care a button! we don’t care a fig! In a Sieve we’ll go to sea!’ Far and few, far and few, Are the lands where the Jumblies live; Their heads are green, and their hands are blue, And they went to sea in a Sieve.
They sailed away in a Sieve, they did, In a Sieve they sailed so fast, With only a beautiful pea-green veil Tied with a riband by way of a sail, To a small tobacco-pipe mast; And every one said, who saw them go, ‘O won’t they be soon upset, you know! For the sky is dark, and the voyage is long, And happen what may, it’s extremely wrong In a Sieve to sail so fast!’ Far and few, far and few, Are the lands where the Jumblies live; Their heads are green, and their hands are blue, And they went to sea in a Sieve.
The water it soon came in, it did, The water it soon came in; So to keep them dry, they wrapped their feet In a pinky paper all folded neat, And they fastened it down with a pin. And they passed the night in a crockery-jar, And each of them said, ‘How wise we are! Though the sky be dark, and the voyage be long, Yet we never can think we were rash or wrong, While round in our Sieve we spin!’ Far and few, far and few, Are the lands where the Jumblies live; Their heads are green, and their hands are blue, And they went to sea in a Sieve.
And all night long they sailed away; And when the sun went down, They whistled and warbled a moony song To the echoing sound of a coppery gong, In the shade of the mountains brown. ‘O Timballo! How happy we are, When we live in a sieve and a crockery-jar, And all night long in the moonlight pale, We sail away with a pea-green sail, In the shade of the mountains brown!’ Far and few, far and few, Are the lands where the Jumblies live; Their heads are green, and their hands are blue, And they went to sea in a Sieve.
They sailed to the Western Sea, they did, To a land all covered with trees, And they bought an Owl, and a useful Cart, And a pound of Rice, and a Cranberry Tart, And a hive of silvery Bees. And they bought a Pig, and some green Jack-daws, And a lovely Monkey with lollipop paws, And forty bottles of Ring-Bo-Ree, And no end of Stilton Cheese. Far and few, far and few, Are the lands where the Jumblies live; Their heads are green, and their hands are blue, And they went to sea in a Sieve.
And in twenty years they all came back, In twenty years or more, And every one said, ‘How tall they’ve grown!’ For they’ve been to the Lakes, and the Torrible Zone, And the hills of the Chankly Bore; And they drank their health, and gave them a feast Of dumplings made of beautiful yeast; And everyone said, ‘If we only live, We too will go to sea in a Sieve, To the hills of the Chankly Bore!’ Far and few, far and few, Are the lands where the Jumblies live; Their heads are green, and their hands are blue, And they went to sea in a Sieve.